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Sunday, 22 March 2015

Work, War and Worship




In between those various shades of grey,

Among those silky specters of dichotomy,
Around the path that renounces color,
Will you find your way?
Serenading a Silver Scarlet on St. Mary’s,
With a Vestige that keeps you on edge,
Amidst Fury, Fever and Floundering Glory,
Are you really still sane?
They say Ego is the Height of all parables,
They say Self-belief is Narcissus in his shambles,
They call upon their Gods and Goddesses,
To relieve themselves of their own senses,
How is this game even played?
If Arrogance and Glory really were talk of ambition,
Then why do Titans not prove themselves worthy of their ribbons,
If climbing the ladder got you flattered,
Why talk of rust,
Why talk of dust,
Why talk of sweeping away the rotting bust,
When laughing in the midst of damnation was all that ever mattered?
Now, Remember:
As time is but a passing glimpse in the eye of the Fire-ant,
As a toddler’s fist is softer than the brush of thistle and ale,
As vast as this Earth is being colored red,
As small as may seem the man with his hands folded under the shed,
Remember to be Humble.
As a monument is built with cinder, soot and sordid sweat,
Its Greatness is remembered not by its majestic mahogany,
But somewhere along it’s lines are the little details of intricate craftsmanship,
That can only be seen from within by the Person,
Only to be admired by the un-sequestered light of the universe,
In plant, pot and plasma.
This conquers the most important thing there is to be conquered –
Themselves.
Oh beseech!
Long gone is the sword of Alexander,
Long lost is the horse of Kublai,
Long rid has this Earth of Barbaric conquest,
She remembers not the Men that saw fit to take her as a Whore,
But she grows in her womb the People that see fit to take her as a Child.
Amidst the Truth, Lies and Truthful Lies,
Read between the lines,
The war outside your home is not outside,
It is in you.
Amidst the ramblings and fumbling of Egos and Alimonies,
See between the signs,
The wisdom lost because of this world’s rules is not their loss,
It is yours.
Amidst the competitions, glories and furrowed brows,
Hear between the lisps,
The battles lost in the disguise of small victories is not upto them to see,
It is upto you.
True ambition cannot be achieved,
If not for Faithful Veneration.
Shed away the lies, the flies, the dusty scribes,
Make reason and rationale your allies.
What is that is worth the fight?
What is that decides right is might?
An Iron-born in an ever-festering swamp?
Or the dewdrop that makes the sun shine twice as bright?
On the worst of days, on the brightest of nights,
Learn that learning is the Utopian Right,
Learn from your enemy,
Learn from your master,
Learn from your mother,
Learn from your benefactor,
Learn from your chapter,
Learn when they say you deserve to be ripped to shreds,
Learn when they cry after you clean their blood-infested beds,
Learn when you find yourself with all against none,
Learn when they take your Truth high up to Kingdom Come,
Learn, I beseech, with a folded hand,
Learn from thy mirror.
Because true Glory lies not in contradictions of opposite faith,
But in letting those roots hold you deep onto your spirit,
So let the stale stagnant fester,
Dip those drops of blood in the line of a transitive vector,
And within your own Sun you will find the Warmth to fend off Winter’s light,
Vidi, Vici, Veni starts with a look in the eye.
Amen.

Sunday, 1 March 2015

Birdman (or The Unexpected Virtue of Ignorance): A Review



‘Film is not analysis, it is the agitation of [the] mind; cinema comes from the country fair
and the circus, not from art and academicism.’  - Werner Herzog


Was Herzog being prophetic when he talked about the clash between these two
ideals in Inarritu’s Magnum Opus?

Birdman, as a film, speaks to us on multiple levels. At the forefront, it is a story
about a washed-up superhero-actor who is trying to get back to his last shot at
glory in a Broadway play written by Carver where he risks everything he’s got.

But, as the story moves forward, we realize that we’re not only watching this final
outreach towards glory in the life of an actor-trying-to-be-artist swansong but
we’re also watching all his subconscious layers of wishful thinking unfold
prophetically right before us.

Cerebral, smooth and scintillating. The film begins with a shot of Riggan/Birdman
from behind wearing nothing but his white underwear. From that point onwards,
the entire film is shot in the form of a single take, a technique first established by
the master of suspense, Hitchcock himself in Rope (1948). This is meta-filmmaking
at it’s finest. The theme of the unhinged, uninterrupted  rhapsody of Broadway is
transcended, all across the silver screen, as night changes into day and day
dissolves into night as our characters laugh, cry, explode -revealed in front of us -
all of this smoothly tied to the central dilemma of the main character – I don’t
exist. I’m not even here – Riggan/Birdman

Michael Keaton, as you may know, was the first Batman on screen in the 1989
version directed by Tim Burton. Lauded by filmgoers and critics alike, that film
was a resounding success and is still watched by fans of the Caped Crusader.

Although, the funny part is that after Batman, Keaton completely fell off the
radar, much like Riggan in Birdman. It’s almost as if we’re watching the actor and
character become one in another surrealistic technique of metamorphosis taking
place on screen in an absolutely riveting fashion.

The screenplay is tight and crisp, complemented by some brilliant performances
by Emma Stone as the drug-addict daughter and Edward Norton as the egotistical
actor trying to get his spotlight any which way he wants, both posing problems for
Riggan’s final swansong.

All three of these able actors, Inarritu as director and writer have been nominated for the Oscars which are to take place in a week.

Also deserving notable mention is Zach Galifianakis as the lawyer-friend, Naomi
Watts as the debutante actress and Amy Ryan as the supportive ex-girlfriend.

All in all, Birdman is a masterpiece. It’s the sort of film that grows on you long
after you watch it and stays in your head hours after you leave the auditorium.

The questions it poses and the statements it makes are best left to Interpretation.

But that’s the beauty of the film. It allows you to make your own choices. Just like
Birdman. Touché?